Bird Hide Photography – The Work Behind the Scenes
Bird hide photography is now very well established as an almost prerequisite to an itinerary for travelling nature photographers throughout Europe and beyond. Across a growing number of photo-tour companies there is a plethora of opportunities, subjects and species which can be worked on from hides. The imagery from such innovations of course speak for the selves as they tend to show species, (often shy and secretive) illustrating exciting, intimate and awe-inspiring behaviour- all of which is of course extremely popular to both photographers and admirers of natural history photography.
The whole concept of this approach to nature photography is a huge motivation for me and I find it exciting, emotive and very rewarding. It is this kind of photography I really like to work on as I love the whole process of the assignment, from getting to know how a particular species use a certain site and planning where and if a hide will work. Just to even simply watch wildlife without them knowing you are is simply magical in itself. Then the building of a hide to suit the site and subject. Building the actual hide is just as much part of the overall gratification as the actual taking of images for me. As a time served joiner/carpenter it is a really good fit to combine these skills and knowledge of species and sites.
Some of the sites I have innovated and established have taken a few years planning and labour, you could even go as far to say ‘blood, sweat and even tears!’ (well nearly at least!) What I tend to do is build semi permanent and purpose built wooden kit hides which can be transported to site using quad and trailer, or even tractor with one of the larger more permanent hides. It has to be said of course that these have improved over the years and I have learned that shop bought ‘pop up’s’ are just not for Shetland – I call them ‘blow aways’ instead!
Two of my hides are constructed and just slide on or off trailer, like my two man diver hide and my one-man-wigwam, which is just small enough to drag/slide across moorland, but over a short back aching distance! Often there is days of work goes into each assignment in the repeated visits to move a hide over a period of weeks which is essential, especially at breeding sites.
Eventually over the past few seasons I have built a selection of hides which I can move around to suit subject and seasons and they can therefore play a very productive role in itineraries and workshops I run or collaborate on. In 2014 for example I really enjoyed working with Markus Varesvuo on Merlin, Red-throated Diver, Arctic Skua and Great Sua. I also had a film crew use my Long-tailed duck hide when we worked on ITV’s Alison Steadman’s Shetland.
Often now visiting photographers who perhaps want to do their own thing are also booking hides for exclusive use, such as the Arctic Skua and Great Skua club sites in the summer which only need a ‘walk in’. Seeing the potential in this approach to photography and photo-tours and creating a niche here in Shetland is something I have found very exciting and I am very much committed to developing these assignments further and working on other species and seasons.